more demented, brain-damaging turkish electro-saz & synth drums galore by the mighty derdiyoklar duo, originally released in 1984! anadolu pop doesn t get weirder than this! these two turkish guys armed with electro-saz, guitar, drums and synthetizers were hitting the turkish market in germany where they lived, playing their sets of traditional flavoured electro-folk in weddings and circumcision feasts for turkish emigrants in germany. that crazy is the story, that crazy is their sound!!!

the next release on zone is another mighty one, this time from electro and techno duo mikron with a great remix from the exaltics. mikron is a no nonsense duo who have already put out a full length this year in the form of warning score on central processing unit. as well as that cohesive opus, they have credits on this label dating back to 2012 and have the sort of high impact, toughened style that always makes a mark.

before he was nigeria’s self-proclaimed mr lover boy, felix lebarty was an upcoming musician in the country’s edo-delta region. his big brother, aigbe, was a legendary highlife bandleader, but felix paid his dues playing guitar with thony shorby nwenyi and the collection of stars, along with fellow star mighty flames bassist, willy nfor. perversely, girls for sale was released after lover boy, the slick disco album that cemented his place in nigerian music history. it is a collection of tracks lebarty made early in his career, when his music was rawer and his pickup lines less sophisticated and less practised.

touching down for the inaugural release on the newly formed label, north of 7 sounds, is the mighty rumbleton - a true heavyweight with over 2 decades immersed in sound system culture, running the stand firm hi-fi label and releasing music on scientific wax, rupture ldn, outsider, and samurai music to name but a few. a true master of his sound, we are extremely proud to have rumbleton set the bar for future north of 7 excursions. “a new day” takes you on a journey filled with haunting pads, razor-sharp drum kit clashes, and infinite amounts of low-end. bottomless swathes of atmospherics respire in and out of the mix, culminating in a breathtaking breakdown - crafted with utmost devotion to the godfather of soul himself. a truly honourable homage to jungle’s roots in sample culture and breakbeat science. “conscience” on the flipside is weightiness refracted in minimalism. rumbleton fully submerges your mental space in a cavernous, dubwise fog, while militant, scorched-earth drums power the tune forward. a warm, subterranean bassline churns endlessly beneath, all the elements occasionally exhaling and collapsing under their own weight, only to regenerate once again…

famed live act and hardware lovers juju & jordash release a store-only 12inch on dekmantel!

another sizeable bite outta the big apple ! the mighty ny edits series returns ! very limited and mysterious one-off 12 s emanating, as you might expect, from the city that never sleeps put together by a legendary ny record store owner from a personal stash of edits constructed for back in the day club play, which still sound super fresh and effective today ! always a presale sellout - so don t snooze

a mainstay in the underground house music scene for almost twenty years, joeski makes his next move on the mighty crosstown rebels with a sublime ‘tribute ep’ to the great divinity obatalá. the ep journeys through three tracks, where ethereal layers are used to infiltrate the dancefloor and varying tribal percussions, native chants and vocal haunts flow effortlessly throughout. from yoruba religion, obatalá is an orisha, sky father and creator of human bodies. joeski explains -i’ve been wanting to do this tribute for a while now. it’s a creative musical offering to obatalá. i feel like crosstown is the perfect home for it too.- joeski’s roots are in the underground house scene of nyc in the 90s, where he played regularly at historical clubs such as the limelight, tunnel, palladium and roxy. later establishing himself as a producer he began releasing music on nrk, siesta, shaboom, tango, junior boys own and many more. he also runs his successful label, maya records.

the mighty shadeleaf pull in a seriously strong u.s team for their twelfth release damon bell from oakland, is a chief connoisseur at heralded deepblak recordings, and stands strong offering a complex variety of sounds that ebb and flow through all of his productions. known for his polyrhythmic, organic, and soul-filled musical releases on deepblak recordings & sound of speed records japan, he has also scored critically acclaimed releases recently on burek, meda fury, and don t be afraid. this collaborative ep with the vocalist (good friend and former oakland, and now berlin resident) khalil anthony, features a production collaboration with shadeleaf s own thatmanmonkz, and a remix from the mighty afrikan sciences as always, top drawer isht another shadeleaf sureshot

super disco compiles 4 re-edits. techno twins 118bpm, eddy grant sunshine 120bpm, mighty pope 122bpm, myele-black line 107bpm

hot on the heels of the transcendental and mystical vibe telemetry long-player of the man like telephones, we proudly present: vibe remixes. some of you might notice the irony between the lines. a producer who goes by the name of call super is remixing an artist known as telephones. but, we rather rivet you on his 8:59 long skippy dub journey that recalls (pun intended) an atmosphere that could be found in the space between smith & mighty, the ltj bukem of his youth, italian house records, british balearics and bass affine music (of whatever providence). a magical mystery. but we don’t hang up here. dj fett burger is treating the other side and only he himself knows how he made what he did. 14:51 min of almost every style ever invented in the scope of house music. designed for people blessed with an everlastingly short attention span and djs on the lookout for a toilet break and a coffee break or whichever break, it leaves its listener speechless. and: its so much fun that once its over, you want to redial fett burgers number immediately.

after a first collaboration focusing on the city of angels, la legend john tejada and acid innovator tin man (johannes auvinen), this time brooding on the latters home city, and formers birthplace, vienna. the austrian capital is known as the city of music and the city of dreams, two broadly aligning concepts that go far in describing this beguiling 12-inch. the four songs were mixed down live to 2 tracks, created in the real world without a daw, or multi tracking, which has really captured the spirit of performance and improvisation. succeeding railjet, a tense drum workout, comes bim, referring to the colorful trams that run through vienna. here, auvinen sculpts his 303 into near-pizzicato form. the acid box is accompanied by stately pads making for one of the duo’s most memorable tracks yet. the next cut, danube nights, references the mighty, ancient river, the flow motion mirrored by a couple of widescreen acid lines. a pensive lead and some melancholy chords emerge, but the drums roll right along like the water- tough enough for a heaving floor with a hint of fragility for the headphones. the record concludes with the acidic prater allee, named after idyllic, sprawling park on the banks of the danube. the duos love letter to vienna is well-suited for travel, for the dance and for dreaming.

speed boat is eden burns, one half of dunedin house duo sandboards, who brightened up 2016 with heavyweight releases on feel my bicep and cold tonic. splitting off for the first release under his solo moniker, speed boat applies the base coat to new label the nail shop with a gliding four track ep for the imprint’s debut release, that makes the foot-tapping accompaniment to an afternoon waiting for your nails to dry.
the vibe is in the name, as ‘speed tools’ packs a mighty punch, featuring skittering percussion, steady-movin’ bass and infectiously sensual pads that effortless take the forefront. just don’t be surprised if it swoops you straight from the salon onto the dancefloor.

tell (aka milan for the ones who know) is a french producer who did tracks for beat x changers, banoffee pies, house running, nachtbreaker new imprint & just caught the attention of the mighty boiler room. this is his first ep which is in fact a mini lp & it s a fucking killer ! if you like pepe bradock, moodymann & strictly rhythm (so skylax in a way ,-)), this is definitely for you. ultra classy producer on the verge of getting big. we ve been following him for years now (thx to garage shelter / signal st advise) & we won t regret, the result goes far beyond all of our hopes. futur classic. skylax records 4 ever

dj soch delivers two banging house cuts. jam-packed with old school and funk band rolling beats. killer pumpin house remix by the great italian duo bassa clan. dancefloor alert!
support from josh wink, ryan elliott, adam beyer, norman nodge, maya jane coles, laurent garnier, joris voorn, andreas baumecker (barker & baumecker), kornel kovacs, rob smith (rsd/ smith & mighty), lovefingers (esp), kirk degiorgio, john osborn, fold, tiger stripes, iron curtis, woz, dop, nachtbraker, friend within, paul rhodes (2 bad mice), tensnake, jacques renault, alland byallo, kristian (ame), dave aju, michael serafini (gramaphone records, chicago), tom findlay (groove armada), gnork, jimpster + many more

a forthcoming masterpiece of a new artist! - with traces of burning spear and culture in his voice, spiritual s original songs share with buzz artists like chronixx, protoje and alborosie the aims and destiny of reggaes new roots re-generation. production credits are a seal of quality, as there is the main producer clifton -specialist- dillon (producer for alborosie, shabba ranks in the 90ies, world hit by omi and many more) alongside bobby -digital- dixon, who also mixed a good part of the album. the main recording took place at digital b, plus some at anchor, tuff gong and oufah recording studios, with a big credit list of finest musicians, both veteran or new generation of the jamaican scene appearing and with the final mastering touch by kevin metcalfe. additonally iba mahr and droop lion (from the new gladiators) appear as guests for fine combination tunes. -awakening- is an album which might stand alongside classic reggae 70s albums like natty dread (bob marley & the wailers), marcus garvey (burning spear), two sevens clash (culture) and the right time (mighty diamonds) and is available with a new artist introduction price level!

nice price deal !!! limited edition one-sided green vinyl 12inch of the frankly massive remix of the mighty simian mobile disco by simon baker. no digital release - vinyl only

the return of cirez d s mighty mouseville see s the second release pressed on limited green vinyl. limited stock. grab it before they are gone. 12 inch green vinyl full sleeve, shrink wrapped.

back on 2019! part two of the acid saga -signs of decay- from solaronemusic. first part featured tracks by helena hauff, the exaltics, ekman, drvg cvltvre and perseus traxx. this part comes with the hacker, legowelt, chris moss acid, impakt and crotaphytus. artwork is again from the mighty godspill!!!

zarkoff (sasa rajkovic) is croatian musician and sound engineer that has been busy making proper sound of dozens labels and doing his own music last ten years. genre could be described as dark electronics, somewhere between techno and synth wave, but if there is something that makes him unique, it s his powerfull and distinctive voice. sasa is also member of ebm-ish project sumerian fleet, having releases on mighty dark entries or creme organization, where we took the opportunity and asked his colleague, legendary mr. pauli to enrich this 12inch with proper west coast style remix.

meda fury welcome back oakland resident damon bell for another accomplished ep of rugged cosmic grooves and tribal pressure. bell is riding a rich wave of form with a killer recent release on don’t be afraid, and even more fire on the burek label, not forgetting his impressive debut last year on his regular home, the mighty deepblak - he’s a proven master at fusing afro-centric rhythms, rich keys and off-kilter pads into an urgent and contemporary form of house music that deftly eschews cliche. ‘akebu-lan’ commences the ritual with a gospel vocal loop over pumping 808 kicks and tranced out swollen pads, giving way to ecstatic fender rhodes chords and climatic piano, reminiscent of robert hood - is this bell s fastest bpm track yet? loose/live jazz keys riff throughout ‘ether’ creating a warm rich miasma of sound against the distressed percussive gyrations and sinister drones. hypnotic synth riffs tumble over the powerful drum-track in ‘altered visions’ creating a deliciously hypnotic chug. drawing the ep to a close, deepblak and pan cohort african sciences joins bell for the sizzling ‘kinetic energy’, a sleazy, skronking cut of slurred moog bass and atonally pitched toms wrestling with thumping kicks and whispered vox pummel the listener

claes rosen makes a welcome return to local talk after his daydreaming release back in 2013. for his new release claes has written a beautiful house jam that s got after hours written all over it. it s melodic, soulful, spiritual but still mighty uplifting. fans of glenn underground or blaze should listen carefully. on the flip we ve got something truly special for all the real house heads - lars bartkuhn & marek bartkuhn aka needs are back on the house circuit. yup, it s true! needs are back once again and agreed to deliver a remix for local talk. back in the late 90 s and early 2000 s needs was a huge breath of fresh air to the house scene with their melodic chicago inspired house sound. the remix delivered here is again something timeless and unique, sounding simultaneously classic and new! it s a real builder, so let this one run its full course. trust us, you ll be rewarded big time!

london and rio unite to celebrate 100% carnival vibes in this the third instalment on the limited edition 10- vinyl collector s series of brazilian influenced sounds, barefoot beats. veteran disco lover and production maestro ray mang drops a drum-tastic number batidas da paixao which packs more dance floor punch than a night in bahia on the caipirinhas ! meanwhile over on the flip, brazil based dj and producer carrot green conjures up yet more mighty dance floor moves with the horn led arno . music that you can dance to in the sand, or on the dance floor. vamos!

traffic009 by bodin&jacob. always on point. artwork by the mighty jan paul müller

2016 repress - pressed on black vinyl
we are delighted and honoured to welcome the mighty dwayne jensen to the landed records imprint. known as >the born entertainer<, dwayne jensen is one of the key artists who helped to shape the detroit house sound and the new evolution of music we now call techno. a self-taught dj, musician, producer and writer, the detroit-born native started off as a jazz drummer & percussionist before gaining respect worldwide as one of the true detroit superstars. we are also delighted that geoff pesche from abbey road studios is back on the mastering and has worked his alchemy on the release

‘sound of palladio’ is the first in a four part series of limited 12- pressed to 180g coloured vinyl, with a single piece of cover artwork commissioned from italian artist nerog spanning throughout the series. never ready records’ inaugural release sees venetian techno & bass house experimentalist munstac veer between the echoing sub bass chambers and angular staccato momentum of “the cathedral” to the more drawn out drum rolls and flutter of “the theatre”. along the way, east london’s spatial helms a mighty 132 bpm jungle break refix of “the cathedral” whipping up that trademark hectic fervor the infrasonics label boss has previously delivered on the likes of “wncl & stillcold”

absolutely classic double header of brand new mixes from the mighty mike maurro! a detroit classic goes head to head with another solid gold philly classic on this 12- of exclusive mixes lifted from his -peak hour remixes- project, all produced from the original master tapes. the spinners evergreen soul classic -i ll be around- takes up the a-side with mike s trademark respectful flourishes evident - a restrained, classy version of this all-time anthem is what we re treated to by someone who truly understands the originals and feels the music. a must have for all serious soul lovers out there. on the b-side we have the trammps stellar -the night the lights went out-, a long time favourite that has been extensively sampled by numerous house artists and the trammps paean to the infamous city wide blackout during the summer of 77 in nyc that ended up subsequently reshaping popular culture as we know it. maurro s mix, as always, has respectfully rearranged the track in such a way that he s managed to put a new spin on a legendary disco classic focussing on the incredible arrangements of norman harris original. simply put, another set of essential mixes from a modern day master! file under - *essential disco*

elocution, the third figure ep from portuguese producer lewis fautzi, again displays a high defree of versatility but still comes cleary cut for the club. employing a rich yet spacious sound design, fautzi creates cinematic scapes that are at once both brimming with the hums of colossal interstellar machinery yet at the same time leave enough room for a range of carefully sculpted elements to do their work. whether it be the twisted acid arpeggio on opener shizophrenia, the imposing drones underscoring the mighty mirror or the propulsive percussion of centerpiece 37b. testament to fautzis talent of engaging arrangement, never do the tracks here feel hurried nor do they become stagnant - but rather given just the right time to ripe into their full captivating potential. no matter if one is to approach this records as already an avid lover of lewis fautzis work or comes to it simply looking for fresh takes on the classic formula, this enthralling ep certainly will satisfy everyones needs.

after the major and still ongoing success of his previous albums “fatty folders” (2011) and “happiness is happening” (2014), roman flügel is back with his third full-length cd/lp on dial records. “all the right noises” includes adventures into contemporary house/techno music, finest ambient works, and unique broken pieces.

having paved the way for bass-ridden, garage-garnered old school-ish house, coming crisp and mighty through the vinyl dust, kakudo records offers you a pressurized pressing of various artists here. another timeless drop of our beloved vintage style!

doktu rhute muuzic (formerly roy hytower) has enjoyed a full career from his late teens to this present day, a career that spans over 50 years. his first experiences were singing around mobile, alabama. in 1962 he came to chicago, replacing mighty joe young as rhythm guitarist for otis rush. often adopting a soul-slanted sound, hytower cut a handful of 45rpm singles in the 1960s and 70s for several local labels such as avin, expo, brainstorm, and jiffy. in june 2016 his tune “song of deliverance” was featured on tramp’s “peace chant- compilation. in recent years roy hytower has self-released a couple of cds, however under his new moniker, doktu rhute muuzic. “i’m in your corner” and “tip jar” were released on two different cd albums. this is the only chance to get these two wonderful tunes on vinyl. don’t miss it!

nice price deal !!! piemont starts the new year with another amazing release on their own label plumbum! >excuse me ep< is a great two tracker without any remixes as these tracks are special and strong enough to stand on their own. on the a side you find >excuse me< which gets you to a unknown place in a typical piemont style. a style, which can also be safely named experimental. playful drumming combined with trippy vocals refines the whole musical journey. on the b side >foot massage< gets your feet moving from the very beginning no matter whether you are on the streets of new york with headphones or in the club. definitely somewhere where hip hop feels at home. somehow the beat and the vocals remind of >music< by the mighty run dmc... you can only love the old school vocals and the spacy break – thank you, guys! another genious release!

tough techno versions, derived from stefan goldmanns synth-heavy a1 film soundtrack. five cuts remixed into the mighty 4/4 grid (mostly). free wheeling hardware synthesis and heavy-handed beats line up for concrete-blasting impact on constructor and a-drive. the b2s spikes is a more loose affair around a scintillating analogue synth riff. contrastingly, inward slope features a warped beat layout and wavetable splashes, sounding like a weeping robot fighting with a cat. roadside lot is a soothing ambient fm tech tool. thats it. on to the next fifty.

black crow is the third single to be taken from the album ‘the soft bounce’. part american gothic, part future movie soundtrack, it’s a song of haunting beauty. holly miranda s vocal glides across reflective strings and delicate crystalline snippets of sound, resulting in an epic torch song lament. it’s backed with white crow, erol alkan s mighty extended reworking of the song, placing it in spacious widescreen, where you can hear for miles.

third release of dancing like quagmire, italian white label (vinyl only) born to make you dance shouting “giggity giggity go”!!! mini-album with five tracks deeply rooted in 20th century russian culture in which neotnas is showing his poetic music style wandering between rough drum patterns, old dusty samples (hard to dig for sure) and hypnotics saxophone melodies. a-side starts with dreamy downtempo intro elin, followed by crispy broken rhythms of colourful tension and closes with breezy and fluffy don’t rush with dubjazz. b-side contains mighty deep house trip morning way, and outro come, where the main character is undoubtedly ivan pona’s magic sax which created an illusory atmosphere over neotnas’s soul beat.

were back with a record made by the young and talented crew member julian alexander. this guy already did some damage on dungeon meat, adult only and blind box but this is his first solo ep for us. the mighty ferro made a spicy remix to top it all off.

jürgen karg’s career in music began in the 1960s as bass player for german jazz legend wolfgang dauner. it was not until the 1970’s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five year period. his efforts culminated in “elektronische mythen”, a mighty opus of experimental music which reveals new aspects every time it is played. jürgen karg’s music is deeply serious, as vexing as a jamais vu, yet absolutely beautiful. “elektronische mythen” is an album which fits like a puzzle piece between the first and second soundtracks for a clockwork orange. it’s worth to check it out!

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

released on limited edition made in detroit label with neat engraved single on the flip. the side that does play is a monster - detroit s -they could have been bigger than the temptations- mighty mighty the precisions and the iconic northern soul album -if this is love (i d rather be lonely . motor city magic.

ben sun returns to delusions for his 4th release on the label including three more tracks which show the australian via london on his best form yet. full moon kicks off the tides ep at full throttle with a muscular conga-led disco house roller. slurping 909 hats and the most twisted of synth solos courtesy of regular collaborator fantastic man (and his beloved juno 60) provide the icing on this simple bass-cake which never fails to energize the dancefloor in the most special of ways. star ritual drops next, going heavy on the percussion once again for a minimal stripped back drum tool which packs a mighty punch. dubbed out vocal hits punctuate the beautifully loose groove with subtle hints of afrobeat implied by the bassline making for a warm summer track dripping with tropical vibes. finally we have glass waves bringing the ep to a glorious close, all chiming synths, bouncing moog bass and waves of chords layering on top of a heavy drum track. ben repping an early 90’s blissed out nu groove mood on this one and managing to sound as fresh as ever in the process

we are thrilled to present roberto rodriguez s second release “broken b/w be yourself” on swedish brandy productions. this time roberto returns with two deep and stylish gems. “broken” with its jazzy, bouncing bass line, syncopated chord progressions and pumping pads gives this track its killer groove. spiced up with some great sensual vocal chops and mighty effective drops, this is definitely a track that stands up to all previous masterpieces that roberto released on many fine labels like compost, freerange, delusions of grandeur, house of disco, fina and eskimo, to name but a few

get on down is a heavyweight slice of storming jamaican disco-reggae heat from the legendary studios of miami s tk disco empire. king sporty s version may not have been as well known as connie cases electro laden later 1982 version (also produced by sporty) but the perfect marriage of disco stylings and sports jamaican roots meant the original 1979 version was a cult classic in underground deep disco circles. over 35 years since get on down was released the keepers of the tk disco vaults have given permission for some of their classics and lesser known gems to be respectfully tweaked by contemporary producers and dj s who fully understand the lineage of the label and the music contained within. stepping up and get his hands dirty is none other than london dwelling, wolf music man medlar. a regular face behind the turntables all over the world medlar has lovingly freaked king sportys anthem for the modern dance-floor, extending the right parts in just the oh so right way, dubbing out parts that needed just a smidgen of echo here and there and generally making the track irresistible to dj s with its lovely long beat led intro. these are extremely tasteful edits, done with respect and reverence over 2 parts old school style. look out for those low flying dubbed out vox and lazer beams too, powerful stuff! this is only one of many underground disco classics that the mighty miami based tk disco label brought to the world, reimagined for 2016s dance-floor, officially sanctioned in conjunction with henry stone music / tk disco. file under - classic / essential!

versatile records are proud to present a 12 inch vinyl sampler of selected tracks form the forthcoming physical and digital anniversary compilation spanning 20 years of the labels output 1996/2016. the compilation will feature exclusive and unreleased music carefully chosen from the versatile records vaults. the sampler features the return of the mighty i:cube with his early house influenced cut vvv, inspired by the masters with that unique cubic touch.

nice price deal !!! the title of this ep sorta says it all. its quite an important release for the label. glasgow musical connections all around! when most people think of optimo music, they think of the long-running club night in glasgow >optimo (espacio)<, which ran for 12 years every sunday…headed by jd twitch and jg wilkes. label honcho jd twitch is extremely proud to be releasing naum gabo … as this is the studio project of his optimo partner, jonnie wilkes, along with james savage. jonnie and james (formally releasing three 12 inches simply as >naum< on kompakts mighty speicher series) have been active on the scene for a while now. as well as releasing the original music on kompakt, mule, eskimo, dissident, and tinae they have provided some wonderful naum gabo reworks for hot chip, simian mobile disco, franz ferdinand, snow patrol, psychonauts and so many more… twitch has long been a fan of naum gabo so it is a bit of a coup to be getting this fantastic release: two covers of two mighty scottish acts from the late 70s/early 80s.

label owner, christian gerlach recruited the young and very talented alfredo mazzilli, which already showed his skills with his latest releases on edit select records or planet rhythm. in the ep, which is dedicated to the babylonian gods, alfredo takes us into worlds of sound that reminds us of a run through the jungle and arrivals at mighty temples. shamash opens the ep and prepares the mood for an ritual which is gonna to be celebrated. wrong assessment focuses the piece in its core, but in a deeper way and holds on to a heavy baseline. ishtar reminiscent of an ceremony and the ep reaches its climax which is also continued in the iori remix. the high­energy piece marduck could be considered as an joyfully extract from this distant world. with this packet lanthan audio combines the heavy architecture of old temples, but with an ease that welcomes the coming months with joyful anticipation.

black repress -- the next release on subject detroit is the result of two techno titans joining forces. label head dj bone presents a subject detroit first, a split-release with none other than the mighty deetron. the two have been fans of each other s work for many years so this seemed like a most logical idea.

fresh modern house tracks by two brothers from hamburg, liem & eddie ness. the borthers have delivered an excellent modern deep house record for the al mighty junk yard connections. liem & eddie is also the guys behind the lehult record. this is the new deep house generation from hamburg for sure!

nice price deal !!! with an array of glittering worldwide hits under her belt and a brand new uk album due this summer, september is back and ready to take over the charts with the delicious cant get over. in the process of becoming an instant pop phenomenon last year, september hit 5 on the official charts with the huge cry for you, spending eight weeks in the top 10 and over 4 months in the top 40. the song was the most played dance record of the year on uk radio and received a massive 5.3 million views on you tube. remixes come from germanys dave ramone who also mixed cry for you, jason nevins pops up on the b side for a classic mix and rounding things off are the mighty real booty babes aka jens ophaelders & jens kindervater fresh from their i kissed a girl smash providing the trance mix.

nice price deal !!! *limited edition picture disc** rounding off the year in style a year which has seen them become a firm fave with many djs annie mac / annie nightingale / eddie temple morris & tong !!! the boys are back with another 2 killer remixes this time the mighty prodigy & brazils css